图片尺寸：2352 × 3000 像素
作品名称：Veronica Veronese
创作者：但丁·加百利·罗塞蒂 Dante Gabriel Rossetti
创作年代：1872
风格：浪漫主义
体裁：肖像画
材质：布面油画
现位于：Delaware Art Museum, Wilmington, DE, US
实际尺寸：109 x 89 cm
版权信息： Public Domain（公有领域）
室内。坐着的女性形象，面朝右边。绿色礼服，红发，红唇。郁郁葱葱的绿色天鹅绒连衣裙，腰间有羽毛状的钱包。人物用左手抚摸挂在墙上的小提琴的琴弦，右手拿着弓。手臂放在桌子上。桌子上和桌子下有黄色的花。左上角的黄色金丝雀。
Interior. Seated female figure facing right.Green dress, red hair, red lips. Lush green velvet dress with feathered purse at waistband. Figure strokes the strings of a violin hanging on the wall with her left hand while holding the bow in her right. Arms resting upon a table. Yellow flowers on and beneath table. Yellow canary in upper left corner.
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图片尺寸：2352 × 3000 像素
图片大小：7.93 MB
图片格式：JPG
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作品介绍
机器翻译：
《维罗尼卡-维罗内塞》是但丁-加布里埃尔-罗塞蒂于1872年创作的一幅油画，模特是亚历克莎-威尔丁。这幅画是作为Lady Lilith的伴侣而构思的。罗塞蒂将这幅画卖给了他最好的客户之一，航运巨头弗雷德里克-理查德-莱兰。1923年，这幅画被塞缪尔-班克罗夫特的遗产收购，并在1935年将其捐赠给特拉华州艺术博物馆。
与罗塞蒂19世纪60年代和70年代的大部分作品一样，《维罗尼卡-维罗内塞》的灵感来自威尼斯绘画。它被认为代表了 "创造行为中的艺术灵魂"。这个主题通过刻在画框上的虚构的名言得到了阐述。虽然画框上的这句话是《吉罗拉莫-里多菲的信》，但评论家认为这句话实际上是阿尔杰农-查尔斯-斯温伯恩或罗塞蒂写的。
突然，维罗妮卡女士身体前倾，在处女页上迅速写下了第一个音符。然后，她拿起小提琴的弓，使她的梦想成为现实；但在开始演奏她手中的乐器之前，她静静地呆了一会儿，听着那只鼓舞人心的鸟，而她的左手在琴弦上游走，寻找那最高的旋律，仍然难以捉摸。这是自然和灵魂的声音的结合--一个神秘的创造的曙光。
- 罗兰德-埃尔泽亚（Rowland Elzea）从法语中翻译过来的。
这幅画的象征意义包括未上笼的鸟，它可能代表 "自然界的声音和灵魂的结合"，以及公开的花卉象征意义。鸟笼里的洋甘菊可能代表 "逆境中的能量"，报春花代表青春，水仙花代表反思。
简-莫里斯借出了画面中的绿色裙子。小提琴是罗塞蒂收藏的乐器之一，扇子也出现在《蒙娜-凡娜》中。手稿上的几节音乐作品可能是从乔治-博伊斯那里借来的。
原文：
Veronica Veronese is an oil painting by Dante Gabriel Rossetti painted in 1872 with Alexa Wilding as the model. The painting was conceived as a companion to Lady Lilith. Rossetti sold the painting to one of his best clients, shipping magnate Frederick Richards Leyland. In 1923 it was acquired by the estate of Samuel Bancroft which donated it in 1935 to the Delaware Art Museum.
Like much of Rossetti's work of the 1860s and 1870s, Veronica Veronese was inspired by Venetian painting. It is believed to represent "the artistic soul in the act of creation". This theme is expounded by the fictitious quote inscribed on the frame of the painting. Though the quote is attributed on the frame to "The Letters of Girolamo Ridolfi," critics believe that Algernon Charles Swinburne or Rossetti actually wrote it.
Suddenly leaning forward, the Lady Veronica rapidly wrote the first notes on the virgin page. Then she took the bow of her violin to make her dream reality; but before commencing to play the instrument hanging from her hand, she remained quiet a few moments, listening to the inspiring bird, while her left hand strayed over the strings searching for the supreme melody, still elusive. It was the marriage of the voices of nature and the soul—the dawn of a mystic creation.
— translation from the French by Rowland Elzea.
The symbolism in the painting includes the uncaged bird, which may represent "the marriage of the voices of nature and the soul" and overt flower symbolism. The camomile in the bird cage may represent "energy in adversity", the primroses youth, and the daffodils reflection.
Jane Morris lent the green dress in the picture. The violin was part of Rossetti's collection of musical instruments, and the fan also appeared in Monna Vanna. The few bars of musical composition on the manuscript may have been borrowed from George Boyce.
