图片尺寸：2953 × 1763 像素
作品名称：Triumph of Church over Fury, Discord, and Hate
中文名称：教会战胜愤怒、纷争和仇恨
创作者：彼得·保罗·鲁本斯 Peter Paul Rubens
创作年代：1628
风格：巴洛克艺术
体裁：寓言画
材质：oil,panel
现位于：Museo del Prado, Madrid, Spain
实际尺寸：86 x 91 cm
版权信息： Public Domain（公有领域）
无水印高清图下载
图片尺寸：2953 × 1763 像素
图片大小：2.32 MB
图片格式：JPG
下载方式：百度网盘
下载地址：
作品介绍
In 1625, Archduchess Isabel Clara Eugenia commissioned Rubens to design a series of twenty tapestries for the Monastery of the Descalzas Reales in Madrid. The subject was the Eucharist, a leading Catholic dogma that the infanta defended in her role as sovereign princess of the southern Netherlands. Rubens conceived the scenes like victory marches, as if the cloths were hanging from baroque architecture. This rather contrived effect provoked doubts about what was real and what was created by the artist. The six panels at the Museo del Prado (P1695-P1700) are part of the process necessary for creating tapestries. They are models painted by Rubens as the basis for much larger cartoons that weavers follow when making tapestries. During the 18th century, four of these paintings had pieces added to all four sides, and two had additions to the top and bottom. These have been removed to recover the works’ original compositions.
在1625年，大公女伊莎贝尔·克拉拉·尤金尼亚委托鲁本斯为马德里的德斯卡尔萨斯王宫修道院设计了一系列二十幅挂毯。主题是圣餐，这是天主教的一个重要教义，由于她作为南尼德兰的统治公主而捍卫。鲁本斯构想这些场景就像胜利游行一样，就好像这些挂毯是挂在巴洛克建筑物上一样。这种相当刻意的效果引发了人们对什么是真实的，什么是艺术家创作的疑虑。普拉多博物馆的六幅面板（P1695-P1700）是制作挂毯所必需的过程的一部分。它们是鲁本斯绘制的模型，用作制作挂毯时织工遵循的更大纸样的基础。在18世纪，其中四幅画作的四边都加了一些东西，而另外两幅画的顶部和底部也有添加部分。这些附加部分已经被去除，以恢复作品的原始构图。（ChatGPT 翻译）
