伦勃朗在笑

伦勃朗在笑

图片尺寸:6274 × 8171 像素
作品名称:Rembrandt Laughing
中文名称:伦勃朗在笑
创作者:伦勃朗 Rembrandt
创作年代:1628
风格:巴洛克艺术
体裁:风俗画
实际尺寸:22.2 cm × 17.1 cm
现位于:J. Paul Getty Museum, Los Angeles 洛杉矶盖蒂中心博物馆
版权信息: Public Domain(公有领域)

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图片尺寸:6274 × 8171 像素
图片大小:56.49 MB
图片格式:JPG
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作品介绍

《伦勃朗在笑》是荷兰画家伦勃朗-凡-赖恩约1628年创作的铜版油画。这幅画是对一张笑脸的精心研究,是一幅Tronie,由于它表现的是画家本人,所以是伦勃朗40多幅自画像中的一幅,可能是最早的一幅精心创作的画。这幅画最近才被发现,现在收藏在加州的J.Paul Getty博物馆。

画中有一个笑着的人,光着头,头向后仰,身穿深紫色长袍,周围是比较粗糙的棕色羊毛披风。他还戴着一个磨光的金属护目镜,这是一件保护喉咙的盔甲。这名男子的面部有年轻的伦勃朗的特征,表现为一个爱笑的士兵。他的头发很长,"蓬松",浅金色和深金色,就像这一时期伦勃朗的其他肖像画(如《纽伦堡的戈尔杰自画像》)。他正直视着观者。笔触是肯定的、敏感的、自发的和大胆的,有时是精确的,有时是宽松的,它清楚地揭示了一个天才的手,他精确地知道如何最好地捕捉笑的短暂反应。

伦勃朗对人类情感的表达有着浓厚的兴趣,在他早年作为莱顿的独立大师时,经常把自己作为自己的模特。在这里,在一幅小而自由的作品中,他以一个士兵的身份出现,轻松地用笑声吸引观众。

在这幅21岁或22岁时画的精致的自画像中,伦勃朗将对性格和情感的研究(在荷兰语中被称为tronie)与罕见的欢快的自我表现相结合。脸部生动、短小的笔触和对中性背景的轻快处理传达了一种自发性和即时性的感觉。

这是伦勃朗1620年代末在铜板上完成的少量画作之一。他在左上角签署了他的交错字母 "RHL"(Rembrandt Harmenszoon Leidensis),他只在1627年底至1629年初短暂使用过这个字母。


原文:

Rembrandt Laughing is a c. 1628 oil on copper painting by the Dutch painter Rembrandt van Rijn. It is an elaborate study of a laughing face, a tronie, and, since it represents the painter himself, one of over 40 self-portraits by Rembrandt, probably the earliest elaborate one. The painting, which was only recently discovered, is now in the J. Paul Getty Museum, California.

The painting shows a laughing man, bareheaded, with his head tilted back, dressed in a deep purple robe, surrounded by a rougher brown woolen cape. He also wears a polished metal gorget, a piece of armor which is protecting the throat. The man's face has the features of the young Rembrandt, shown as a laughing soldier. His hair is long, “fluffy“, light and dark blond, as in other Rembrandt portraits of the period (e.g. Self-Portrait in a Gorget in Nuremberg). He is looking directly at the viewer. The brushwork is sure, sensitive, spontaneous and bold, sometimes precise, sometimes broad and loose, and it clearly reveals the hand of a genius, who precisely knows how to best capture the transitory reaction of laughing.

Intently interested in the expression of human emotion, Rembrandt often used himself as his own model in his early years as an independent master in Leiden. Here, in a small and freely painted work, he appears in the guise of a soldier, relaxed and engaging the viewer with a laugh.

For this sophisticated self-portrait, painted at age twenty-one or twenty-two, Rembrandt combines a study of character and emotion (known in Dutch as a tronie) with a rare jovial self-presentation. The lively, short brushwork in the face and brisk handling of the neutral background convey a sense of spontaneity and immediacy.

This is one of a small number of paintings by Rembrandt from the late 1620s executed on copper. He signed it in the upper-left corner with his monogram of interlocking letters, "RHL" (Rembrandt Harmenszoon Leidensis), which he used only briefly, from late 1627 to early 1629.