秋千

秋千

图片尺寸:7648 × 10000 像素
作品名称:The Swing (La Balançoire)
中文名称:秋千
创作者:皮埃尔·奥古斯特·雷诺阿 Pierre-Auguste Renoir
创作年代:1876
风格:印象派
体裁:风俗画
材质:布面油画
现位于:Musée d'Orsay, Paris, France
实际尺寸:73 x 92 cm

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作品介绍(机器翻译)

一个从后面看到的年轻男子正在和一个站在秋千上的年轻女子交谈,一个小女孩和另一个靠在树干上的男子在一旁观看。雷诺阿给我们的印象是惊奇的对话--就像快照一样,他捕捉到了从后面看到的男人的目光。年轻的女人望着远方,仿佛她很尴尬。前景中的四人组被背景中素描式的五人组所平衡。
《秋千》与《加莱特磨坊的舞会》有许多共同点。这两幅画是在1876年夏天同时画的。《秋千》中的模特,奥古斯特-雷诺阿的弟弟埃德蒙,画家诺贝尔-戈内特和来自蒙马特的年轻女子让娜,都是《舞会》中的舞者。两幅画都充满了同样的无忧无虑的气氛。正如在《舞会》中,雷诺阿特别想抓住阳光被树叶斑驳的效果。颤动的光线通过苍白的色彩斑块呈现出来,特别是在衣服和地面上。当这幅画在1877年的印象派画展上展出时,这让批评家们特别恼火。不过,《秋千》还是找到了一个买家--古斯塔夫·卡耶博特,他也买下了《加莱特磨坊的舞会》

作品介绍(原文)

A young man seen from the back is talking to a young woman standing on a swing, watched by a little girl and another man, leaning against the trunk of a tree. Renoir gives us the impression of surprising a conversation – as if in a snapshot, he catches the glances turned towards the man seen from the back. The young woman is looking away as if she were embarrassed. The foursome in the foreground is balanced by the group of five figures sketchily brushed in the background.
The Swing has many points in common with The Ball at the Moulin de la Galette. The two pictures were painted in parallel in the summer of 1876. The models in The Swing, Edmond, Auguste Renoir's brother, the painter Norbert Goeneutte and Jeanne, a young woman from Montmartre, figure among the dancers in The Ball. The same carefree atmosphere infuses both pictures. As in The Ball, Renoir is particularly trying to catch the effects of sunlight dappled by the foliage. The quivering light is rendered by the patches of pale colour, particularly on the clothing and the ground. This particularly annoyed the critics when the painting was shown at the Impressionist exhibition of 1877. The Swing nonetheless found a buyer – Gustave Caillebotte, who also bought The Ball at the Moulin de la Galette.