一瓶酒的自画像

Self-portrait with bottle of wine

图片尺寸:4315 × 3919px
作品名称:Self-portrait with bottle of wine
中文名称:一瓶酒的自画像
创作者:爱德华·蒙克 Edvard Munch
创作年代:1906
风格:表现主义
体裁:自画像
材质:布面油画
现位于:Munch Museum, Oslo, Norway
实际尺寸:110.5 x 120.5 cm
版权信息: Public Domain(公有领域)

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图片尺寸:4315 × 3919 像素
图片大小:3.14 MB
图片格式:JPG
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作品介绍

机器翻译:
到20世纪初,蒙克已经成为公认的艺术家,特别是在德国,他在19世纪90年代曾在那里度过了大部分时间。从1902年到1908年的大部分时间里,他也住在那里。

对蒙克个人来说,这些年是艰难的,以酗酒、焦虑和不安为标志。在1904-1907年,他画了许多以孤独为主题的自画像。《一瓶酒的自画像》是1906年在魏玛画的。艺术家坐在桌前,独自拿着一瓶酒、一个杯子和一个盘子。驼背的身影和无力地折叠的双手是一种完全无助的表达。

这个人物被很好地安置在前景中。倾斜的线条在画面中创造了一个强烈的深度透视。头部在中央,所有的线条在这里交汇。

线条创造的透视被色彩的使用所抵消,这在画面中创造了一种紧张和幽闭的气氛。艺术家头部后面的强烈红色创造了一种向前的运动,将我们的注意力吸引到头部。
两个类似于服务员的人物背靠背站在背景中。他们被描绘成有一个共同的身体,而且几乎似乎是从蒙克自己的身体里长出来的。这两个头,每个人都看向不同的方向,可以被解释为艺术家灵魂中对立力量的隐喻。在蒙克的其他一些作品中也可以看到这种分裂成两种心态的情况。

原文:

By the early 1900s Munch had become a recognised artist, especially in Germany, where he had spent much of his time in the 1890s. He also lived there for most of the period from 1902 to 1908.

For Munch personally, these were difficult years, marked by alcoholism, angst and unease. In the years 1904-1907 he painted a number of self-portraits with loneliness as a theme. Self-Portrait with a Bottle of Wine was painted in Weimar in 1906. The artist sits at the table, alone with a bottle of wine, a glass and a plate. The hunched figure and the weak folded hands are an expression of utter helplessness.

The figure is placed well into the foreground. The sloping lines create a strong depth perspective in the picture. The head is in the centre, where all the lines meet.

The perspective created by the lines is countered by the use of colours, which creates a tense and claustrophobic atmosphere in the picture. The strong red colour behind the artist’s head creates a movement forward and draws our attention to the head.
Two figures resembling waiters are standing back-to-back in the background. They are pictured as have a shared body, and almost seem top have grown out of Munch’s own body. The two heads, each looking in different directions can be interpreted as metaphors for opposing forces in the artist’s soul. This split into two states of mind can be found in some other Munch pictures.