花神 Flora

花神 Flora

图片尺寸:6122 × 14001 像素
作品名称:花神 Flora
创作者:Evelyn De Morgan
创作年代:1894
材质:布面油画
风格:浪漫主义
体裁:神话画
实际尺寸:99 cm × 88 cm
版权信息: Public Domain(公有领域)

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图片尺寸:6122 × 14001 像素
图片大小:37.74 MB
图片格式:JPG
下载方式:百度网盘
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作品介绍

机器翻译

弗洛拉是罗马的花神,尤其与春天有关,她的节日,即花神节,是在4月28日至5月3日。该卷轴为意大利文,翻译如下。

我从佛罗伦萨下来,是弗洛拉。
这个城市的名字来自于花
我在花丛中出生,现在换了一个家
我在苏格兰的山中有我的住所。
欢迎你,让我在北方的迷雾中成为你的珍宝。

Flora被描绘在一棵Nescola或枇杷树前,这棵树在春天开花结果。在树上可以看到一些小鸟,如Chaffinch和一只Siskin。弗洛拉的长袍上有佛罗伦萨的花朵图案,花朵从她的衣扣上掉落,散落在她的脚前。

这幅画完全是在佛罗伦萨完成的,是对这座城市及其文艺复兴时期艺术家的赞美--它的灵感显然来自波提切利的Primavera。这幅画被伊夫林为数不多的固定赞助人之一,苏格兰船主威廉-伊姆利(William Imrie)买下,也许是被画中提到的苏格兰吸引。他还委托创作了《卡桑德拉》和《特洛伊的海伦》,这些作品都以简-海尔斯为模特。

美丽的画框由雕刻的松木制成,并进行了油彩镀金处理。它是基于意大利文艺复兴早期的 "tondo "框架风格。它在轮廓的 "环形 "部分装饰有 "丝带和花朵 "的图案,可能与这幅画同时存在。

原文

Flora is the Roman Goddess of flowers, especially associated with spring, her festivals, the Floralia, were from 28 April to 3 May. The scroll is in Italian and translates as follows:

I come down from Florence and am Flora,
This city takes its name from flower
Among the flowers I was born and now by a change of home
I have my dwelling among the mountains of Scotia
Welcome, and let me treasure amid northern mists be dear to you.

Flora is depicted in front of a Nescola or Loquat tree which bears fruit in the spring. Little birds, such as Chaffinch and a Siskin can be identified within the tree. Flora’s robe is patterned with Florentine flowers and blossoms drop from her clasp and lie scattered in front of her feet.

The painting was made entirely in Florence and is a celebration of the city and its Renaissance artists - it is clearly inspired by Botticelli's Primavera. It was bought by one of Evelyn’s few regular patrons, the Scottish ship-owner William Imrie, perhaps attracted by the reference to Scotia. He also commissioned Cassandra and Helen of Troy, all of which use Jane Hales as the model.

The beautiful frame is made from carved pine with an oil gilded finish. It is based on the 'tondo' frame style of the early Italian Renaissance. It is adorned with a 'ribbon & floral' motif on the 'torus' section of the profile and is probably contemporary with the painting.