图片尺寸:5447 × 3906 像素
作品名称:Ruined Monastery of Eldena near Greifswald
中文名称:格赖夫斯瓦尔德附近的埃尔德纳修道院遗址
创作者:卡斯帕·大卫·弗里德里希 Caspar David Friedrich
创作年代:1824
风格:浪漫主义
体裁:风景画
实际尺寸:35 cm × 49 cm
现位于:Staatliche Museen zu Berlin, Berlin, Germany
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图片尺寸:5447 × 3906 像素
图片大小:5.09 MB
图片格式:JPG
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作品介绍
机器翻译:
格赖夫斯瓦尔德附近的埃尔德纳修道院的废墟是卡斯帕-大卫-弗里德里希最喜欢的主题之一。他来自格赖夫斯瓦尔德,在浪漫主义一代认为哥特式风格是德国人的发明,并将其提升到他们时代的理想地位时,他个人发现了埃尔德纳。他们认为这是一种自然的风格,是成长中争取自由的表现。弗里德里希在1824/25年画的埃尔德纳废墟的景色,之前有几幅画,包括1803年的自然研究(在汉堡艺术馆),这幅画在很大程度上遵循了这一点。虽然哥特式建筑周围生长茂盛的橡树主要是弗里德里希艺术许可的产物,但废墟中间的小屋实际上是存在的;直到1828年采取措施保护纪念碑时才被拆除。
原文:
The ruins of the Cistercian monastery of Eldena near Greifswald were one of Caspar David Friedrich’s favourite motifs. He hailed from Greifswald, and made his personal discovery of Eldena at a time when the Romantic generation believed the Gothic style to be a German invention and elevated it to the status of an ideal of their age. They regarded it as a style of nature and the expression of growth striving for freedom. Friedrich’s view of the ruins of Eldena, painted in 1824/25, was preceded by several drawings, including a nature study of 1803 (in the Hamburger Kunsthalle) that the painting largely follows. While the luxuriantly growing oak trees that frame the Gothic architecture are mainly a product of Friedrich’s artistic licence, the hut in the midst of the ruins actually existed; it was not demolished until measures were taken to preserve the monument in 1828.